A few days ago I spent the night at Refugio State Beach, Santa Barbara, CA. I haven’t been here since I was a little boy, so getting a camp site here was pure joy. I was greeted by dozens of these little Velella (“by the wind sailor”) . I’ve seen them along the beaches from San Francisco to Santa Cruz before, but I haven’t personally seen them this far south before. I think that says more about my travel habits than theirs though.
This weekend was the 2019 Do It Ourselves festival (DIO, no not as in Ronny James). I had the incredibly fun assignment of gathering pictures of… oh everything really. Here’s the gallery in no particular order. Keeping with the spirit of the Do It Ourselves festival, these photos are free for your personal use (maybe check The Fine Print at the bottom). Enjoy!
The photo gallery has been moved to my commercial site for display and performance reasons. They remain free for your enjoyment per the requirements of Do It Ourselves. I’m stoked about that.
The Fine Print
- The Event Imagery can be used only for the poster’s personal use and not for any other purpose.
- The Event Imagery may be downloaded or copied only in accordance with one of three Creative Commons’ licenses that prohibit the licensee from using the Event Imagery for commercial purposes, including CC BY-NC, CC BY-NC-SA, and CC BY-NC-ND (available at http://creativecommons.org/licenses/)
- I will not license any Event Imagery that contains any nudity or partial nudity (including any imagery in which bare breasts, bare buttocks, genitals, or genital areas are visible) (ahem, there’s none of that on this page folks)
- If DIO notifies me that any such images must be removed, for any reason whatsoever in DIO’s sole discretion, I will promptly remove or cause to be removed those images. DIO, as joint copyright holder, reserves all rights to revoke any Creative Commons license that was erroneously placed on Event Imagery in violation of these Terms and may cause the removal of such Event Imagery on any webpage on which it is displayed. I understand that use of the Creative Commons’ licenses approved herein does not supersede these Terms and Conditions, nor my responsibility as the photographer or videographer to obtain all necessary permissions from subjects and artists as appropriate.
This year Tyler Fox asked me if I’d help shoot the awards for his magazine’s Swellies event. This is always so much fun, there was just no way I’d say no. What I love about shooting events like this is that my job isn’t just to take pictures but to really engage with everybody and to be part of the life of the party. I can be ridiculously social so it’s not hard for me to get people to put on their best selves for my camera.
A ton of pictures will be available on the Santa Cruz Waves website and maybe in an upcoming print edition. In the meantime here is a gallery of smaller pictures. Please consider purchasing a higher quality version by following the link to my sales site. Ask me about shooting your next event, portraits, and headshots.
Continuing the story from Day 1:
I have a stretch goal in mind depending on the weather and when I finally turn in. Carrizo Plain just about 2 hours from Pismo Beach; it’s possible for me to get there for sunrise if I’m up by 4:30am. Fortunately for me the couple in the tent nearby is chatty and the guy in the RV the opposite direction snores enough to be mistaken for the train that passes by every so often. So I’m up at 4 instead.
Hwy 58 in the dark.
All I can see is the trees and the road in my headlights. As far as I can tell I’m driving through a long, dark valley. A few miles from Carrizo Plain there are hints of sunrise, meaning that parts of the sky aren’t as dark as other parts of the sky.
Up until then it’s very clear to the south and the moon hasn’t risen. It’s possible to get some shots of the Milky Way but I haven’t done any serious research for this part of the trip. A photograph of the Milky Way without an interesting foreground is just another picture of the Milky Way. Yeah, it’s fairly interesting, but that’s not enough for me today. I’m also very aware of two other big details:
- I don’t see anywhere obvious that I could setup safely. It’s rare but there is the occasional other car on the road.
- stopping puts my arrival time at Carrizo Plain at risk.
I don’t like to write about things I didn’t do… but I think you’ll excuse me for writing about not taking a picture of the Milky Way this time.
Soda Lake Point View
I’ve done a little research on the area but not a whole lot. There’s a headlamp visible on top of a hill — it takes a moment to realize that this is the Soda Lake Point View that I had in mind for sunrise. Park, hike up the hill, introduce myself, set up my tripod and my camp chair, and wait. It’s just me and the one other photographer and it’s pretty darned cold. I was prepared for the temperature so no big deal. Pretty soon we’re joined by a few more people who camped nearby.
The sun is over the horizon now but hasn’t crested the ridge to the east yet. There’s enough light to create soft shadows along the hills suggesting volume. A few clouds make an increasingly interesting sky.
The foreground becomes more interesting as the flowers become more visible. Every direction offers a compelling composition: volume, color, leading lines. The only thing I purposely ignored was the sun bursting over the ridge.
I wanted to use a telephoto lens to isolate some details of the landscape. You’d be surprised how often I use a telephoto in the field. It’s an opportunity to use the characteristics of the lens not only to bring attention to specific elements, but also compress the background.
Some lenticular clouds moved into the scene as I was shooting. This looked like a good opportunity to switch to a portrait orientation.
Time to get adventurous
Now I wanted to explore. Soda Lake Road eventually turns to dirt after a few miles. The flowers are opening up more as the sun gets higher so I look for more photo opportunities.
The sea of flowers is almost impossible to convey in words. It’s even difficult in photographs. There’s a spot that I liked at the edge of Soda Lake while the light is still good. Flowers, more flowers, pops of white, yellow, purple and it just kept going.
I got back on the road looking for interesting subjects. The light was starting to get bright so there wasn’t much time left for quality photographs. I spotted a shack with a couple of water tanks in the field of grass and flowers against a hilly backdrop.
The pavement ended a few miles ago (yes I’m aware that I switch tense a few times in this story. My favorite grammar experts are probably melting down while reading this. Sorry.) And now there are cows. They’re bewildered by my presence. They’re cows, they’re bewildered by their own shadows.
By about 9:30 am the light is getting too harsh. I’m also super hungry. I know there are a couple of BLM campgrounds along this route and the plan is now to plop down in one, make breakfast, and let whatever happens next happen. That turned out to be that I’d make the best blueberry pancakes ever, make a new friend, and go for a wild flower hike. Note for future reference: the KCL Campground is pretty darned awesome and you can’t beat the price.
My part of the hike was fairly brief. I only had enough time for a couple of miles and then I needed to get back to Pismo Beach. The view from up the hill was pretty spectacular.
More in Part 3…
April 1, 2019 11:15am
About 100 miles south of Santa Cruz along Hwy 1.
I brought a little notebook just in case I felt like writing. There’s a lot on my mind. I’m driving to
Pizmo Pismo Beach (holy smokes, no matter how hard I try I have misspelled Pismo Beach as “Pizmo” for as long as I can remember. Thanks for correcting me Tori. ) to see some friends. Two I’ve known for decades now but haven’t seen in pushing 20 years. One I’ve known mostly online for the past 5 (via what used to be Google Plus… a long story).
I lost my job with 23 other people 2 months ago. We were all passionate about what we did at the “well known fitness brand.” This isn’t that story, but it is on my mind.
I’m hoping for a job offer in the next few days. This seemed like my last chance to see my friends E, S & L. I’m in no hurry since they’re all busy people so I’m taking the slow scenic route. Camping in Pismo Beach but not going especially light. The firewood in the skybox on top of my Subaru definitely cancels out the “light.”“Cheap” might be more accurate.
Just out of Carmel was the expected ultra slow tourist. I get it, she’s from the city. This is scenery she’s only seen in pictures and has never experienced herself. The coastline is mind boggling beautiful so she looks out the window instead of at the road, swerving like a drunk and going 20mph.
I know she’s going to stop at Bixby Bridge for The Perfect Tourist Selfie. She does, right on cue. The drive gets far less frustrating south of McWay Falls which for some reason is closed today. No worries, I’ve been there many times before.
The coffee caught up with me and it was time for a break. I’m sitting on the cliff writing in my notebook and snacking. I haven’t stopped here before and it’s a nice view. This is a bit further south on Hwy 1 than I’ve been before, somewhere between McWay Falls and Ragged Point. I’ve done the stretch from LA to Mexico, LA to Santa Barbara, Santa Cruz north past San Francisco… so this part between Big Sur and Pismo Beach is the big Hwy 1 gap for me. It’s one of those bucket list kinds of drives that most people dream about — until they’re behind that tourist headed to Bixby Bridge of course.
Some bicyclists just cruised past. I hung behind them a few miles ago providing them with some safety in a fast downhill stretch. They appreciated that. I raced bikes in college (badly) so I get it. Passing them would be dangerous for everybody, so this way I could be helpful.
I’ve been listening to music that my buddy John H gave me years ago. Some of this I’ve never heard before. I wonder why. A lot of it is good.
The next stop is a brief pause at Ragged Point. This looks like a place I’d like to spend more time, so I note the lodging so I can bring my family here another day. I think they’d like it. It’s about noon and the light is awful so there’s no point in taking many pictures. I brought my little Panasonic Lumix superzoom for these snapshots, the Canon 5d Mk III for the quality stuff.
I read about the San Simeon elephant seal migration, so that’s the next destination. The seals are all females and juveniles. I see a lot of these guys around Año Nuevo and they’re beautiful. I can get much closer since there’s a fenced boardwalk without causing any problems for the wildlife. It’s a good opportunity to use the Canon and a telephoto lens. Lots of people now want to talk about photography topics and I’ve become that guy declining shots because “the light’s no good that direction.” A snapshot of an excellent subject in bad light is nowhere near as good as a mundane subject in quality light. So I politely decline with only the brief explanation.
A couple of hours later I rolled through San Louis Obispo and into my campsite near Pismo Beach.
I unloaded, setup camp, and explored my new surroundings a bit before visiting my friends. Funny thing, I had forgotten that this was a popular spot to drive on the beach. I don’t feel inclined to get stuck in the sand so far from home so I’ll pass this trip.
For the past couple of years I wanted to facilitate a simple portrait lighting workshop with my favorite local photography group, the Hwy 9 Photography Group. Ideally what that meant was that I’d coordinate with a local portrait photographer who would actually do the presentation. After a few false starts I decided OK… why not me?
What I wanted to show was that you could create stunning portraits using low cost equipment. No need for high end lighting; this could be done with speedlights, diffusers, a backdrop, radio triggers, and a hand-held light meter.
I worked out a basic outline that I thought would take 20 minutes to present. I contacted Katie to model for us, worked out times, availability, and rates. Then I worked out a deal for the exotic location of the gym at the Boulder Creek Recreation Center. Fancy, I know.
I did my best to keep my actual talking to a minimum. I get a little tired of hearing my own voice. I also don’t really consider myself an expert on much, but like I said earlier “why not me?” I wanted to give the basic idea. What you could do with one light. Two lights. Three.
It didn’t matter that none of the attendees had never shot with off-camera flash before. It also didn’t matter that none had worked with an experienced model before! I had a series of emails with Katie where I explained the situation. What I needed from her was to be herself, know where the lights were, be at ease, and mostly just do her stuff without needing direction. She was magnificent.
We started out with a single light at camera left. A simple manual Yongnuo YN-560 II Speedlight connected to a PocketWizard PlusX Transceiver. The speedlight was placed inside a 36″ Fotodiox Pro 36″ (90cm) Octagon Softbox. After determining the correct exposure settings with the hand held light meter we were ready to go. The single light at camera left created some very dramatic light and shadows.
One light and a reflector
Next I introduced a reflector at camera right to fill in some of the shadows.
The results from just adding the reflector were stunning. Each participant spent about 5 minutes each shooting with this setup. I would tell everyone the exposure recommendation based on my meter then I’d hand my radio trigger to the next participant.
Two lights: one at camera left, one at camera right
I setup the second light; virtually identical to the first light. The only difference was that the second speedlight was triggered optically. That meant that I needed to have only the one set of radio triggers. As soon as any other speedlight would fire then the second light would fire too. The optical trigger itself was built into the speedlights. I setup the second light to be about a stop less than the main light. Now we started getting even more volume to our subject. The point isn’t just to light your subject, it’s also to provide depth.
Three Lights: gels
I added a third speedlight behind Katie and put a purple gel on it. This speedlight was also on an optical trigger so it would fire when any other flash would fire. I had a few goals with the third light:
- separate the subject from the background
- demonstrate that you could change the color of the background
- introduce rim lighting
Another great look is a rim light. Ideally you’d setup a light higher up and pointing down from behind your subject. Here I simply turned the speedlight around to face into the camera. I left the same color gel so Katie’s hair lights up with purple.
The Popup Flash
Now that everybody was acquainted with the benefits of off-camera flash and getting a little comfortable with the idea I wanted to take a step backwards. I wanted to show where the typical popup flash falls short.
The flash built in on many cameras points straight at your subject and right above the lens barrel. The result is a flat look. There is very little volume now. Notice also the weird catchlight in Katie’s eyes. It’s right there in the middle of her eyes. It’s not awful, but we can do so much better.
Putting it all together
It was time for a wardrobe change when Jon had an inspiration. He saw a small plush chair and thought she would look nice seated in it. Katie came back out in a stunning red dress and Jon’s idea absolutely came to life.
It’s no big secret that I love being physically active, outdoors, and probably doing something that takes some real effort. Yesterday I joined a group of friends for a long day hike to Berry Creek Falls nestled deep in Big Basin Redwoods State Park. This is one of my very favorite California State Parks not only because it’s historic and stunning, but hey it’s also just a few miles from my home.
Usually when I do this hike I go lightweight and I carry a smaller Canon Rebel XT. That poor little thing finally met its demise late in 2018. We had a good run. I went heavy this time to photograph the falls. When I’m carrying my gear with a plan that means I’m using my 65 liter backpack. I can strap my better tripod to it, carry lunch, plenty of water, a couple of lenses, a warm jacket, emergency gear etc. The weight is just under what I’d carry for a 2 day backpacking trip. This time I used everything but the jacket.
The Artistic Photographs
Photographing this waterfall is both easy and difficult. There’s a viewing platform that’s nice and stable. It’s a long day hike to get here and the condition of the trail will vary depending of recent weather and park funding. This can technically be done with a small travel tripod and a reasonable quality camera. The trick is getting here in quality light. If you start hiking around 9 you can expect to arrive about 11 or 12. On a clear day that makes for a high contrast snapshot that’s not especially pleasant to the eye. Today was overcast and about as close to perfect as you can get near noon. One of the fun details is the prisms that occur. I shot this one with my Canon 5d Mk III, a 3-stop ND filter on my favorite Manfrotto carbon fiber tripod.
I like to help tell the story of the folks hiking the trail. It’s fun for me, fun for them, and gives everybody a keepsake from the trip.
Not everything goes to plan. A few minutes after this this fun snapshot @misfittany slipped and the sole of her boot completely fell apart. This is why I carry so much stuff. Today’s gear to the rescue? The cord I use to hang food up in a tree so the critters don’t get it.
For 45 seconds I watched the sun’s light move across Half Dome like a flashlight sweeping across the north face. I wasn’t remotely prepared for this. I was all setup with a telephoto when what I really wanted was my wide angle. I made do with what I had ready to go. Then I saw that storm coming with 4+ miles to hike back in the dark. This was one long, incredible day that I will never forget.
This is a photograph reimagined from a hike out to North Dome with my bud Gary Crabbe in Oct 2016. I had my Canon 70-200 f/4 ready to go with the plan of getting a nice shot of Gary against Half Dome. Then the sun poked between the clouds, lighting up the granite face in a way that I can only hope comes across in this series of photographs. I knew I didn’t have the camera/lens combination that I really wanted for this moment since it was unexpected. So, I filled the frame and ran with it.
I want to do more of this kind of thing. Much, much more.
I spent a fair amount of time with Lightroom and Photoshop to bring the colors about the way that I want to get across. There are competing color temperatures in this so it needed a lot of tweaking. Admittedly there’s still a touch of green that I’m not crazy about in the sky. The funny thing is that there are a lot of reflective surfaces here: the granite, snow, clouds etc. All of these reflect more blues from the sky than you’d really imagine. Bringing that back down to something believable takes some effort (and masking in Photoshop). The foreground is this blazing warm tone: oranges, purples, reds as the sun shone across it. Meanwhile the snow in the background is under cloud cover and is reflecting a lot of blue.
This was shot in a couple of years ago now, and my memory of how it looked isn’t nearly as accurate as how it felt. So here I am trying to bring across how it felt.
A few minutes ago a friend of mine asked about the hike back. That was a great question, so I’ll post my response to Anita here:
We got about a mile before it got genuinely dark. That was a good thing because honestly that first mile it’s kind of hard to pick the trail back up since we were on exposed granite. We made a lot of noise (talking etc) to keep the critters uninterested. By the time we got to the cars it was pretty obvious that we were in for a really good storm. We made it to a little camp site in El Portal where we rode out one hell of a lightning storm. I don’t think I ever slept so soundly. That’s the truth.
It’s been a custom of most photographers that I know and follow to collect their favorite photographs from the past year. This is the first time I’ve gathered my favorites and let me tell you, narrowing it down to ten was difficult. Whittling it down to the top 30 is pretty easy. The top 20 a little harder. Those last twelve though… ouch. Excluding two favorites was hard because I had to really think about why they were included in the list.
Here we go in no particular order for 2018.
Not surprisingly a lot of photographs are from Yosemite and the surrounding areas. Debbie and I visited our favorite spots and explored some scenes that were new to us.
I added some new gear this year: A Canon 5d Mk III and a Canon 17-40 f/4 L-Series lens. I don’t want to say that it made me a better photographer, but it did add some new tools and new choices. The 5d Mk III also added couple of new limitations too. I spent the past few years using a Canon 7d, a 7d Mk II, and my trusty Rebel XT, all crop frame cameras. Each one is the right tool for a specific job. Each one will also be the wrong tool in some situations. I found that the experience with the crop frame cameras gave me a solid foundation to put that 5d to good use.
Debbie and I made a trip to Bodega Bay and decided on a stop at Bodega Head. An incredible sunset waited for us along with backlit ice plant and wild flowers.
2018 was largely about seeking new angles and trying new ideas. Of course many of those ideas were explored in Yosemite. Below is a favorite walk to Yosemite Falls.
More Yosemite adventures intentionally included areas that I haven’t explored much. Debbie and I went for a long day hike to Chilnualna Falls on the south side of the park. We could have gone lighter and in retrospect I really didn’t need the 70-200 f/2.8 when the 70-200 f/4 would have done just as well and weighed less than half of that beast. Still, this was as much about a physical challenge as it was about making art. I think I saw 20 people all day. I’d see that in the first 2 minutes in the valley.
One idea I really wanted to explore was long exposures and more different angles. My daughter and I went for a stroll in downtown Santa Cruz on a rainy day. We stopped in front of Bookshop Santa Cruz where I was excited by the reflections, patterns, and lines. I decided to blend exposures of various lengths, the longest was about 240 seconds.
I spent a little more time at Shark Fin cove than I usually do. Again, exploring more long exposures, black and white, and post processing techniques.
Henry Cowell Redwoods State Park has been a source of much inspiration over the past several years. This year I was very choosey and very happy with the choices. The patterns of the redwood burl have always excited me and I explored them as black and white.
One photo was very personal. I rarely post pictures of myself and even fewer of immediate family. My daughter and I made a run for Taft Point for what I expected to be the last day that Glacier Point Road would be open. This photograph is a favorite for many reasons, almost all of them because of the strong emotional attachment. The sky was especially red because of the Camp Fire still raging.
By now you probably think that I spent most of my time at Shark Fin Cove and Yosemite. I suppose you wouldn’t be far from the truth. I met with a couple of friends where we explored the typical angles. I wanted something different so I got down very low to capture the details, lines, textures, and reflections. I waited for the sun to catch on a low layer of clouds miles away to create a fun lens flare.
Thanks again for visiting and for reading! What are some photos that you are especially happy with from 2018? What are your creative goals for 2019? I’d love to read your thoughts in the comments.
For the past several months I’ve been feeling a certain restlessness about my creative process. I photograph a lot of surf and landscapes but rarely people. I started to seriously ask myself why that is. Then I thought back to my last trip into Yosemite Valley. Yes always stunning. But there I was standing in El Capitan Meadow fully aware that the scene in front of me has been done. Hell, I’ve done this subject before: climbers on El Capitan. So I’m purposely thinking, what do I do different here? Inspiration arrived but it left me really thinking about what I’m doing and why.
Aside from the surf photography that I enjoy so much I usually try to capture these pristine natural scenes. Often I’ll either crop out evidence of human activity either in camera or in post. I know why most of the time; for me it’s overhead power lines and aircraft contrails. Yuck. But does that mean remove all human things? I had to really think about that.
An acquaintance recently sent me a box of CD-ROMs from the LensWork series. I happened to be listening to an interview with Larry Wiese. He was describing how he was preparing to show his portfolio at a very nice gallery. He was all ready to show his traditional landscape work when he had an epiphany (and probably an anxiety attack) about what he was doing and why. The interview CD was titled Transition. It was like he was speaking directly to me. I devoured that interview, then I listened to it again.
Essentially he realized that he was producing fine art landscapes not because it was what he loved doing, but I think because others expected him to produce landscapes. He wasn’t excited about it anymore. He excused himself from his meeting, packed up his portfolio, and reconsidered pretty much everything. This made me think about that last Yosemite visit specifically. He mentioned that he had visited Yosemite twice. He researched all the photography topics for the area and pretty much planned on how to copy the work of the masters before him. And so what? What made it his own work? He decided that landscapes were a starting point for him and now it was time to expand his creative process.
I started photographing different subject matter and processing them in different styles. I don’t photograph wildlife much. So I spent a few hours doing exactly that.
I started incorporating more people into the photographs as the sun was setting. I’ve often thought that a photo of the sunset alone wasn’t enough. It needs an interesting foreground. What I usually avoid though was people in the scene. This time I really thought about that. Why? Adding people gives the viewer a reason to connect. A sense of scale. An emotion.
Today was a very rainy day in Santa Cruz. Honestly a pretty miserable day to even consider landscapes but I wanted to explore. I did some street photography which is very rare for me. I processed the photo differently from how I usually would by incorporating some color grading.
I had another idea incorporating a very wide angle and the patterns in the sidewalk along Pacific Avenue in Santa Cruz. I expanded on the idea by blending three exposures, 2 that were fairly long exposures and a third that was over 240 seconds. Processing the image was well outside my typical style and I’m glad I explored the ideas. Pattern, time, color, and definitely not how you would see the scene with your own eyes.
I pushed the idea a little further. I don’t photograph architecture. There’s probably a simple reason for that: I live in a rural area and there’s just not a lot of that. Even in the more urban areas there’s nothing really resembling a skyscraper as such. I thought about that for a while.
I spotted this window across from a reasonably high vantage point (that’s a fancy way of saying “parking garage”). A few things struck me as unique here. It’s a brick facade. Nobody would dream of building entirely with brick knowing that our state’s geology is the rough equivalent of Jell-O pudding. The water draining from the downspout caught my eye. The basketball shoe in the window pane and the warm glow from inside inspired me. I setup my tripod and fitted my Canon 5d Mk III with a 70-200mm telephoto to isolate this subject.
Initially I imagined this as black and white but instead I went with a very different approach. With what I’ll just loosely call “a lot” of masking I brought down exposure of the brick wall while carefully adding contrast to the window. I desaturated the wall itself while adding some split toning to the window. This added some blue to the light tones and warmer colors to the mids and darks tones. Then selective sharpening and vignette. I was very happy with the result.
I’m going to keep exploring. Don’t get me wrong, I’m not giving up on traditional landscapes. The truth is that I love the adventures and the effort. People or man-made objects will almost certainly be more prominent elements. Portraiture has always been an interest but I have a lot of thoughts on that topic that I want to be very careful about. Self portraits will probably happen more often at the suggestion of somebody I admire.