Tonight at Shark Fin Cove. I have to admit that I have a mixed relationship with this place. An iconic Santa Cruz scene that’s been “loved to death”.
This scene is occasionally found on the cover of magazines like Outdoor Photographer. It’s a tricky location to shoot, and I’ll be honest there are a lot of times when this place doesn’t do a lot for me. There’s usually a lot of garbage from visitors who couldn’t be bothered to pick up after themselves, graffiti, or any number of people who want a selfie while I’m trying to compose a photograph here. Usually I patiently wait out that last one.
A fashion shoot was actually happening off to my right and we were all careful to work around each other. I’m grateful for that kind of awareness. The selfie variety… not so much.
This scene is shot from just about every angle; up high behind this perspective, up and to the right, and slightly less often up the cliff and to my left. I think that what really makes this scene work is an interesting foreground. The rock outcropping that I’m standing on here almost always has interesting reflections and leading lines. The algae on the rocks provides a little color contrast. Tonight the sun was setting to the southwest and provided a fun pop of lens flare.
Processing the Image
It’s a little more complicated than it seems; this is a blend of two photographs. It’s nearly impossible to get both the sunset and the foreground exposed the way I like in a single frame, so this is a blend of 2. I can see a good argument for using 3. Actually blending them together is a lot of work and met with varying success. This area is alive and not standing still at all. For example the cliff sides have tall grass swaying in the breeze. To blend the two images together means carefully painting in a mask along the grass.
There are dangers shooting here. A lot of folks along the cliff don’t realize that they’re standing on an overhang. If you’re visiting here please leave no trace, pick up some trash, and be very careful along those cliffs.